[Born at Passagno, in Upper Italy, 1757. Died at Venice, 1822. Aged
65.]
One of the most celebrated of modern sculptors. When five years old,
evinced a taste for his art, and at fourteen was a pupil of Tonetto, a
sculptor at Venice. From Venice went to Rome, where he executed many
works. A favourite of Buonaparte, whose portrait, for the colossal
statue of the Emperor (in the possession of the Duke of Wellington) he
modelled at Paris, and from which was taken the bust No. . He had
no pupils; for he used to say that “the master’s compositions were the
best instructors.” His works are very numerous; casts from some of the
most celebrated are to be found in the court of modern Italian
Sculpture. His imaginative pieces more successful than his portraits,
although many of these are master-pieces of art. In execution he was
unrivalled; but his taste is not always pure. In person Canova was below
the middle height, his eyes full of expression, and the general
character of his face indicative of good-nature. He was much beloved at
Rome as the generous friend of his brother artists.
[From the colossal marble bust by his own hand, in the Protomoteca of
the Capitol at Rome.]