print, which has never before been engraved in its present form, is a
literal reproduction of the original study; one of the collection of
drawings by Rowlandson in the possession of the present writer. The
picture tells its own story so graphically, that it is unnecessary to
attempt any fuller elucidation of the subject.
[Illustration: A MAD DOG IN A DINING-ROOM.]
_April 21, 1809._ _The Comforts of Matrimony. A Good Toast._ Published
by Reeve and Jones.--The picture represents a scene of domestic
felicity of the most touching completeness. The husband is browning
a muffin for tea; his wife's arm is wound round his neck during this
delicate operation; his children are enjoying their peaceful meal; an
infant is tranquilly slumbering in the cradle; and a cat, surrounded by
her family of kittens, carries out the unity of the subject. Another of
the series partly published in 1808, in which a rude facsimile of the
original drawings has been attempted, without much success.
_The Tables Turned. Miseries of Wedlock._ A pendant to the
preceding.--The domestic horizon is clouded by storms. The late happy
pair are only kept from demolishing each other by the table placed
between them, which is being wrecked in the struggle. The wife, in a
fury, is holding on to her husband's hair with all her force, while
he has a firm grasp of his unfortunate spouse's head, at which he is
aiming a pewter-pot; children, chairs, crockery, cutlery, and food,
are alike devoted to destruction; the infants are frantic, and general
misery prevails. The execution of these subjects is commonplace, and
the engraver has not done justice to the originals.
_April 29, 1809._ _Oh! you're a Devil. Get along, do!_ Published by
Reeve and Jones, 7 Vere Street, New Bond Street.--A dashing young
officer, a gallant adventurer, probably crippled with debts, and with
nothing but his commission to support his extravagances, is laying
ardent siege to the ordinary person of a rich dowager, fat, _not_ fair,
and decidedly forty; indeed, the lady is more than old enough to be the
mother of her insidious admirer, who is probably looking forward to
the possession of the foolish inamorata's fortune to 'whitewash' his
liabilities, and exchange him from one slavery to another; preferring
the fetters of Hymen to the captivity of a debtor's prison. The lady,
a vain piece of antiquated and frivolous vulgarity, is loaded with
massive jewellery, which her hopeful lover no doubt looks forward
to melting for his own purposes, after he has staked the relict's
money-bags on the gambling-table; her feathers are profuse, and she
wears a boa of an extinct kind, famous in the annals of contemporary
fashions, known as a _rattle-snake_.[10]
_June 20, 1809._ _A Tit-bit for a Strong Stomach._
_July 31, 1809._ _The Huntsman Rising. The Gamester going to bed._
Published by T. Rowlandson, 1 James Street, Adelphi. (See 1811.)