He lived in the Marais, Rue des Filles-du-Calvaire, No. 6. He owned the
house. This house has since been demolished and rebuilt, and the number
has probably been changed in those revolutions of numeration which the
streets of Paris undergo. He occupied an ancient and vast apartment on
the first floor, between street and gardens, furnished to the very
ceilings with great Gobelins and Beauvais tapestries representing
pastoral scenes; the subjects of the ceilings and the panels were
repeated in miniature on the armchairs. He enveloped his bed in a vast,
nine-leaved screen of Coromandel lacquer. Long, full curtains hung from
the windows, and formed great, broken folds that were very magnificent.
The garden situated immediately under his windows was attached to that
one of them which formed the angle, by means of a staircase twelve or
fifteen steps long, which the old gentleman ascended and descended with
great agility. In addition to a library adjoining his chamber, he had a
boudoir of which he thought a great deal, a gallant and elegant
retreat, with magnificent hangings of straw, with a pattern of flowers
and fleurs-de-lys made on the galleys of Louis XIV. and ordered of his
convicts by M. de Vivonne for his mistress. M. Gillenormand had
inherited it from a grim maternal great-aunt, who had died a
centenarian. He had had two wives. His manners were something between
those of the courtier, which he had never been, and the lawyer, which
he might have been. He was gay, and caressing when he had a mind. In
his youth he had been one of those men who are always deceived by their
wives and never by their mistresses, because they are, at the same
time, the most sullen of husbands and the most charming of lovers in
existence. He was a connoisseur of painting. He had in his chamber a
marvellous portrait of no one knows whom, painted by Jordaens, executed
with great dashes of the brush, with millions of details, in a confused
and hap-hazard manner. M. Gillenormand’s attire was not the habit of
Louis XIV. nor yet that of Louis XVI.; it was that of the Incroyables
of the Directory. He had thought himself young up to that period and
had followed the fashions. His coat was of light-weight cloth with
voluminous revers, a long swallow-tail and large steel buttons. With
this he wore knee-breeches and buckle shoes. He always thrust his hands
into his fobs. He said authoritatively: “The French Revolution is a
heap of blackguards.”