by way of distinction; but now that the most successful type of new
Germanism is covetous of quite other honours, and perhaps misses
"smartness" in all that has depth, it is almost opportune and patriotic
to doubt whether we did not formerly deceive ourselves with that
commendation: in short, whether German depth is not at bottom something
different and worse--and something from which, thank God, we are on the
point of successfully ridding ourselves. Let us try, then, to relearn
with regard to German depth; the only thing necessary for the purpose is
a little vivisection of the German soul.--The German soul is above all
manifold, varied in its source, aggregated and super-imposed, rather
than actually built: this is owing to its origin. A German who would
embolden himself to assert: "Two souls, alas, dwell in my breast," would
make a bad guess at the truth, or, more correctly, he would come far
short of the truth about the number of souls. As a people made up of
the most extraordinary mixing and mingling of races, perhaps even with a
preponderance of the pre-Aryan element as the "people of the centre" in
every sense of the term, the Germans are more intangible, more ample,
more contradictory, more unknown, more incalculable, more surprising,
and even more terrifying than other peoples are to themselves:--they
escape DEFINITION, and are thereby alone the despair of the French. It
IS characteristic of the Germans that the question: "What is German?"
never dies out among them. Kotzebue certainly knew his Germans well
enough: "We are known," they cried jubilantly to him--but Sand also
thought he knew them. Jean Paul knew what he was doing when he declared
himself incensed at Fichte's lying but patriotic flatteries and
exaggerations,--but it is probable that Goethe thought differently about
Germans from Jean Paul, even though he acknowledged him to be right with
regard to Fichte. It is a question what Goethe really thought about the
Germans?--But about many things around him he never spoke explicitly,
and all his life he knew how to keep an astute silence--probably he
had good reason for it. It is certain that it was not the "Wars of
Independence" that made him look up more joyfully, any more than it was
the French Revolution,--the event on account of which he RECONSTRUCTED
his "Faust," and indeed the whole problem of "man," was the appearance
of Napoleon. There are words of Goethe in which he condemns with
impatient severity, as from a foreign land, that which Germans take a
pride in, he once defined the famous German turn of mind as "Indulgence
towards its own and others' weaknesses." Was he wrong? it is
characteristic of Germans that one is seldom entirely wrong about them.
The German soul has passages and galleries in it, there are caves,
hiding-places, and dungeons therein, its disorder has much of the charm
of the mysterious, the German is well acquainted with the bypaths to
chaos. And as everything loves its symbol, so the German loves the
clouds and all that is obscure, evolving, crepuscular, damp, and
shrouded, it seems to him that everything uncertain, undeveloped,
self-displacing, and growing is "deep". The German himself does not
EXIST, he is BECOMING, he is "developing himself". "Development" is
therefore the essentially German discovery and hit in the great domain
of philosophical formulas,--a ruling idea, which, together with German
beer and German music, is labouring to Germanise all Europe. Foreigners
are astonished and attracted by the riddles which the conflicting nature
at the basis of the German soul propounds to them (riddles which
Hegel systematised and Richard Wagner has in the end set to music).
"Good-natured and spiteful"--such a juxtaposition, preposterous in the
case of every other people, is unfortunately only too often justified
in Germany one has only to live for a while among Swabians to know this!
The clumsiness of the German scholar and his social distastefulness
agree alarmingly well with his physical rope-dancing and nimble
boldness, of which all the Gods have learnt to be afraid. If any one
wishes to see the "German soul" demonstrated ad oculos, let him
only look at German taste, at German arts and manners what boorish
indifference to "taste"! How the noblest and the commonest stand there
in juxtaposition! How disorderly and how rich is the whole constitution
of this soul! The German DRAGS at his soul, he drags at everything he
experiences. He digests his events badly; he never gets "done"
with them; and German depth is often only a difficult, hesitating
"digestion." And just as all chronic invalids, all dyspeptics like what
is convenient, so the German loves "frankness" and "honesty"; it is
so CONVENIENT to be frank and honest!--This confidingness, this
complaisance, this showing-the-cards of German HONESTY, is probably the
most dangerous and most successful disguise which the German is up to
nowadays: it is his proper Mephistophelean art; with this he can "still
achieve much"! The German lets himself go, and thereby gazes with
faithful, blue, empty German eyes--and other countries immediately
confound him with his dressing-gown!--I meant to say that, let "German
depth" be what it will--among ourselves alone we perhaps take the
liberty to laugh at it--we shall do well to continue henceforth to
honour its appearance and good name, and not barter away too cheaply our
old reputation as a people of depth for Prussian "smartness," and
Berlin wit and sand. It is wise for a people to pose, and LET itself
be regarded, as profound, clumsy, good-natured, honest, and foolish: it
might even be--profound to do so! Finally, we should do honour to
our name--we are not called the "TIUSCHE VOLK" (deceptive people) for
nothing....