[813] _I. G. A._, 43 a (p. 173).
[814] Duetschke, IV, no. 534. Another relief fragment in the Uffizi
shows the upper part of the two with horses, each wearing the chlamys
and pilleus and carrying spears: Duetschke, III, 446.
[815] _B. M. Sculpt._, I, no. 780; _Museum Marbles_, II, Pl. 11;
_cf._ a similar relief, no. 781. The relief _ibid._, III, no. 2206,
supposedly representing Kastor, has been pronounced a modern forgery by
Treu: see F. W., 1006.
[816] Ch. I, pp. 27 f. and 37 f.
[817] This is the usual division of victor monuments: Scherer, pp. 21
f.; Hitz.-Bluemn., II, 2, p. 530; Furtw.-Urlichs, _Denkmaeler griech.
und roem. Skulptur_, Handausgabe^3, 1911, pp. 104 f. (translation by
H. Taylor, 1914, pp. 120 f.) Reisch, p. 40, divides _Siegerbilder
in Motiven von allgemeiner Geltung und Bilder in Motiven, die der
speciellen Veranlassung der Weihung entlehnt sind_—a division
practically amounting to that of rest and motion statues, as we shall
see.
[818] Discussed _infra_ in Ch. VII, pp. 334 f.
[819] VIII, 40.1.
[820] See _infra_, Ch. VII, pp. 327-8.
[821] We know of one case, at least, where an “Apollo” (draped) was
transferred to a relief—on a column drum of the old Artemision in
Ephesos, now in the British Museum: _J. H. S._, X, 1889, Pl. III, pp. 4
f., and figs. 4a, 5 (Murray); Overbeck, I, p. 106, fig. 9; Richardson,
p. 53, fig. 16. According to Herodotos, I, 92, most of these columns
were the gifts of Crœsus, who reigned 560-546 B. C. On the whole series
of “Apollos,” see W. Deonna, _Les Apollons archaïques_, 1909; _cf._
F. W., text to no. 14, pp. 9 f; _B. M. Sculpt._, I, pp. 82-3, with
references; etc.
[822] See Richardson, pp. 39 f.
[823] Staïs, _Marbres et Bronzes_, pp. 11-12 and fig.; _B. C. H._, X,
1886, Pl. V (two views) and pp. 98 f. (Holleaux); Collignon, I, p. 117,
fig. 58; Deonna, _op. cit._, p. 161, no. 35; Richardson, p. 44, fig.